Crystal Grading Guide

The Crystal Grading Guide

Words like premium and high quality get used everywhere. Almost no one explains them.

We grade every stone in our catalog by what is normal, beautiful, and exceptional for that specific material and origin. Quality is not one-size-fits-all, and the grade should reflect that.

Use this guide to understand what our A, AA, and AAA tiers mean, what we look at when we evaluate a lot, and why a B-grade stone can still be the right piece for the right person.

How We Evaluate

Nine things we look at

Not every factor matters equally for every stone. The list below is the full evaluation set. The weighting changes depending on the material and origin in front of us.

01
Color richness & saturation

How vivid, deep, and consistent the color reads in natural light.

02
Overall visual appeal

The first read of presence and beauty, before any close inspection.

03
Crystal structure or patterning

How well-formed crystals are, or how the matrix and patterning hold together.

04
Polish and finish

Surface quality, smoothness, and how light interacts with the worked face.

05
Material integrity

Soundness of the stone. Free from structural weakness, deep cracks, or damage.

06
Clarity or translucency

Where it matters. Some stones are prized for clarity, others for inclusions.

07
Shape and proportion

How balanced and well-proportioned the cut, carve, or natural form is.

08
Rarity within the source

How uncommon a piece is for that material from that specific origin.

09
Standout quality

How exceptional the lot is compared to what is typically available from that source.

A note on natural variation

Crystals are natural materials. Variation is not a flaw, it is often part of what makes a stone special. A lower grade does not mean a piece is unattractive or not worth owning. A higher grade does not mean flawless. Our system is built to set realistic expectations, not to chase artificial perfection.

The Scale

B, A, AA, AAA

A tier is always relative to the material and the origin it comes from. AAA from one source will not look like AAA from another, and that is on purpose. The rarity notes describe what we typically see come through our own supply, not the global market.

B
Commercial
The bulk of what's mined
More commercial material with lower consistency or visual appeal.

Still authentic, often beautiful. A good fit for learning, collecting on a budget, crafting, or bulk use. Just doesn't meet the visual threshold of the upper tiers.

Softer colorWeaker polishMore inclusionsLess consistency
A
Good
A common share of any quality lot
Good quality with solid visual appeal.

Clearly above basic commercial quality, while staying accessible. The point where a stone starts to feel meaningfully better than average.

Good colorDecent polishAttractive presentationGood value
AA
High
A smaller share of most lots
High quality with stronger beauty, consistency, and presentation.

A noticeable step up. For many materials, this is where discerning buyers see the difference right away.

Stronger saturationCleaner formationRefined polishBetter consistency
AAA
Exceptional
Rare. The smallest share of any lot we receive.
Exceptional material from that locality, chosen for rarity, beauty, and standout presentation.

The strongest material we release within that specific material-and-origin context. Usually the hardest to replace and the most striking in person. AAA is exceptional for that source, not against a generic universal benchmark.

Exceptional colorTop-tier finishRare patterningStandout formation
C
A note on what's below B

You will sometimes see C-grade or unsorted material referenced in the wider crystal market. This is typically heavily included, poorly colored, or structurally weak material that sits closer to mineral byproduct than to display- or jewelry-grade stone. When it is sold, it usually moves through landscaping, decorative aggregate, or industrial channels rather than the crystal trade. We do not carry it.

Why origin matters

A quartz point from Arkansas should not be judged by the same visual expectations as one from Madagascar. A Zambian amethyst should not be measured against the exact same color profile as Uruguayan material. We always grade within context. What does high-quality material from this locality usually look like? What is normal here? What is exceptional? That is the lens.